Regarding the exhibition, a phrase that sums up very well is; "HALF OF BEAUTY DEPENDS ON THE LANDSCAPE AND THE OTHER HALF ON THE MAN WHO LOOKS AT IT" by LIN YUTANG. It is a continuation in the creative process of the one presented in Burlada, playing with time, textures and matter. In this exhibition, nature and landscape are given importance, they are brought forward, they are no longer a background of the scene, considering the landscape as a divine work, just like in the Middle Ages and the Renaissance. The reflection of the beauty of a creative God in nature, his beauty is seen in the landscape. Themes such as Light, Time or Matter and how these terms affect nature are present; the life that changes every day, every hour, every minute of the day, due to the sun, the point of view, the creation and decomposition of it.

The landscape treated as an experience, as a life experience, as a story, this exhibition is a personal assimilation of the landscape itself, being and being sensitive to what happens and establishing or generating a relationship. Believing that you don't have to get used to the landscape and treat it as something worthless, it is the most beautiful thing and where everything comes from, you have to discover, feel and experience. Landscape painting is a faithful reflection of the intimate bond that has existed at different times between man and Nature, it is a reflection of the relationship between both, since since man appears on earth through the creation of God he has a intrinsic relationship with it. Human beings need to interpret nature in order to understand it. As Cicero said. “The observation of nature and meditation have generated art”.

The representation of Nature becomes a burst of light, a spiritual experience of fusion with the whole, a way to make the infinite visible in the finite. The world is configured for me based on the visual process, the work of the eye and light, which is capable of giving shape to the infinite. The color gradations, the paths of light and shadow take us beyond the external representation of Nature, they make us enter it, since in the same change of it, the work of art is found.